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Ebook The Cellar: A NovelBy Minette Walters
Ebook The Cellar: A NovelBy Minette Walters
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The Cellar: A NovelBy Minette Walters
Ebook The Cellar: A NovelBy Minette Walters
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From the internationally bestselling, award-winning crime writer Minette Walters, The Cellar is a harrowing, compulsively readable novel about a family of African immigrants, the Songolis, and the dark secret they keep hidden in the depths of their seemingly respectable British home.
On the day Mr. and Mrs. Songoli’s young son fails to come home from school, fourteen-year-old Muna’s fortunes change for the better. Until then, her bedroom was a dank windowless cellar, her activities confined to cooking and cleaning. Over the years, she had grown used to being abused by the Songoli family—to being their slave.
Now that Scotland Yard has swarmed the Songoli house to investigate the disappearance of the son, Muna is given a real bedroom, real clothing, and treated, at least nominally, as a daughter. But her world remains confined. She is not allowed to go outside, doesn’t know how to read or write, and cannot speak English. At least that’s what the Songolis believe. Before long it becomes clear that young Muna is far cleverer—and her plans more terrifying—than the Songolis, or anyone else, can ever imagine.
- Sales Rank: #92962 in Books
- Published on: 2016-02-02
- Original language: English
- Number of items: 1
- Dimensions: 8.30" h x .90" w x 5.60" l, .0 pounds
- Binding: Hardcover
- 192 pages
From School Library Journal
Stolen from her home in Africa six years earlier, 14-year-old Muna lives as a slave to Ebuka, Yetunde, and their two boys. When she is not cleaning or tending to the family, she is hidden in the cellar, her one refuge. Daily beatings and berating by Yetunde leave her silent and wary. And even the cellar provides no real safety, for she is regularly raped by Ebuka. But when the younger boy goes missing, things change for Muna. Brought up from the cellar and into her own room, given new clothes, and disguised as the family's mentally deficient daughter, Muna relishes her new position as the police question her and the family. Weeks go by, but the boy's disappearance remains unsolved. Throughout the questioning, it becomes apparent that not only is Muna not mentally deficient but she is intelligent, has learned English, and is determined to create a life for herself by using those who have cruelly taken advantage of her. Not knowing whom to trust and unaware of the wider world, Muna works step by patient step, exacting revenge upon this family. One by one, family members begin to realize that Muna has more power than they thought possible. By the end, readers will be pondering: Are killers born, or are they created? VERDICT Offer to mature teens who can handle the dark side of the human condition.—Connie Williams, Petaluma High School, CA
Review
Praise for The Cellar:
A Deadly Pleasures Best Novel of the Year
“When you read about sadists who have brutalized their housekeepers or au pairs, you try not to think about what life was like for those poor slaveys. But Minette Walters lets her imagination run free in The Cellar. An intimate and upsetting story about Ebuka and Yetunde Songoli, a rich immigrant couple from an unnamed West African nation who claimed 8-year-old Muna from an orphanage and took her to England . . . [Walters] writes with the subtle cruelty and pitiless insights of [Ruth Rendell’s] alter ego, Barbara Vine.”—Marilyn Stasio, New York Times Book Review
“This short work reads like a recipe for evil and may well induce a nightmare or two . . . Sly pacing and a detached narrative voice give this horror story exceptional punch.”—Kirkus Reviews (starred review)
“The Cellar is a shocker . . . A powerful work . . . A multi-layered novel packed full to the brim of its pages with quiet horror and realism . . . If you are unfamiliar with Walters’ other work, you will want to acquaint yourself sooner rather than later.”—Bookreporter
“Haunting . . . Walters nails a perfect blend of psychological suspense and social commentary that resonates long after the book is over.”—Publishers Weekly
“Those who enjoy their fairy tales fractured, in the style of Angela Carter and Roald Dahl, will revel in this decidedly dark and droll retelling of the story of a kick-ass Cinderella by veteran writer Walters.”—Library Journal
“A harrowing thriller . . . My blood ran cold, and I couldn’t put it down. Walters’ use of language is especially good . . . I highly recommend it.”—Killer Nashville
“A dark, disturbing tale told very, very well . . . A taut and harrowing exploration of man’s capacity to inflict pain and cruelty in the complete absence of a moral compass. There are no subplots or extraneous characters to distract from this powerful story . . . Walters tells Muna’s story in unsparing language . . . It is a remarkable achievement that starkly illustrates the horrors we are capable of inflicting upon one another.”—Washington Independent Review of Books
"A compulsive (and gruesome) read."—Independent (UK)
"Creepy . . . a domestic horror about punishment and retribution."—Sydney Morning Herald
From the Back Cover
From internationally bestselling crime writer Minette Walters comes The Cellar—a harrowing and compulsively readable novel about a family of African immigrants and the dark secret they keep hidden in the depths of their seemingly respectable British home.
On the day Mr. and Mrs. Songoli’s ten-year-old son fails to come home from school, fourteen-year-old Muna’s fortunes change for the better. Until then, her bedroom has been a dank, windowless cellar, her activities confined to cooking and cleaning. Over the years, she has grown used to being abused by the Songoli family—physically, emotionally, and even sexually. She has grown used to being their slave.
With the son’s disappearance, Scotland Yard swarms the Songoli home, led by a savvy female inspector who isn’t afraid to ask hard questions. To keep up appearances, Muna is given a real bedroom and real clothing, and she is treated, at least nominally, as a daughter. But when the police leave the premises, she must once again call her captors “Princess” and “Master,” and her world remains confined. She is not allowed to go outside, doesn’t know how to read or write, and cannot speak English. At least that’s what the Songolis believe. Before long, it becomes clear that young Muna is far cleverer—and her plans far more terrifying—than the Songolis, or anyone else, could ever imagine.
For fans of Ruth Rendell and P. D. James, The Cellar reveals a terrifying world far from the publiceye, and shows what happens when humanity is pushed to its very limit.
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